Who should win at the Grammys? (Sia and Charli, duh)

telegraph.co.uk

The Grammys are just around the corner and can only be described as one of the most prestigious, stressful, and unexpected awards shows ever. Remember when Esperanza Spalding beat Justin Bieber? Yeah, shit goes down. Ahead of this weekend's ceremony, I thought it was my God-given duty to break down what could possibly happen this year and who should win the actual awards (especially considering by next year, we'll be in full Adele mode when she drops 25).

The Performances

1. Madonna

This has been a rough album campaign for Queen Madge. Madonna's latest opus Rebel Heart had a lot of promise to be amazing but it has been plagued by endless leaks, stupid PC Twitter trolls, and Madonna's convoluted responses. Hopefully this performance can get the whole thing back on track because as anyone with ears can tell you, "Living For Love" is absolutely wonderful.

2. Gwen Stefani & Adam Levine

Gwen Stefani's return hasn't been much better than Madonna's (don't even get me started on Fergie). "Baby Don't Lie" was sublime but it certainly wasn't the stomping comeback we were all hoping for. The best thing Stefani has done since she started singing again was this Calvin Harris collab. Unfortunately, it looks like Gwen is teaming up with the most annoying pop band at the moment to sing the Sia-penned blubbathon above. But maybe she'll play a new, ridicumazing song with Adam Levine just playing guitar in the background? Now that would be good.

3. Ariana Grande

An Ariana Grande megamix, a Grandemix if you will, would be just fine with me but it looks like she will be using the Grammys to promote the fourth single from My Everything, "One Last Time." The song is on the better side of the album so I'm already going to give this a 7/10.

4. Katy Perry

After the Super Bowl, which was also only 7/10 compared to Madonna and Beyonce's absolute slayage of the field, Katy Perry might try to bring the slight train wreck of Prism to a prompt end by singing a boring ballad "By The Grace Of God" at the Grammys. Unless the sharks or Missy Elliott make an appearance, I might mute this one and listen to Bonnie Mckee instead.

5. Sia

Now this is what I'm talking about. Sia's album campaign has been spectacular, by being the true Elusive Chanteuse, she has used other performance elements to mesmerize the audience. Her Grammy performance will surely be the highlight of the night and hopefully, will give "Elastic Heart" the push it needs to be as big a hit as "Chandelier"

6. Lady Gaga & Tony Bennett

The only way I'm getting through this jazz album debacle that Lady Gaga is putting me through is by pretending it never happened. My life is a lot happier since I've done it, so you might want to try it out. A new album would be welcome anytime now Stefani G.

7. Rihanna, Kanye, McCartney

This was not what I wanted from Rihanna and I refuse to support this side of her. I barely got around to liking "Diamonds" but this acoustic bullshit is too much. She better have something astronomical up her sleeve because she is slowly losing her status as Holy Priestess of my Illuminati Church.

8. AC/DC

Alert your Mom and Dad!

9. Ed Sheeran & ELO

Alert the Queen!

10. Eric Church

Country and boring.

11. Beck & Chris Martin

Alternative and boring.

12. Sam Smith & Mary J. Blige

Gospel and boring (unless they bring Disclosure out for some deep house action).

13. Beyonce, Common, & John Legend

This will be gospel and not boring. Though Common's involvement is a little weird, Beyoncé and John Legend know how to deliver heartfelt lyrics in a beautiful non-melodramatic way. This will probably be the part where everyone cries a little.

14. Ed Sheeran and some other people

Unless he does "Sing," this will be acoustic and boring.

15. Juanes

Loud and in Spanish. Will they even air this one?

16. Kanye West

It will be a new solo song but will probably be shit. Hopefully he pulls a "Stronger" and make me like him for a week.

17. Pharrell Williams

What is Pharrell even doing now? Does he have a single out? If he does "Happy" one more time...

18. Usher

Sometimes people need to know when to give up on one career and move on...

19. Miranda Lambert

Maybe I'll just stop watching after the Sia performance.

20. Tom Jones and Jessie J

Will Tom Jones take the Ariana part in "Bang Bang"? Maybe they can bring Paul McCartney to come and do Nicki's part? That would be the only way this would be entertaining.

21. Hozier & Annie Lennox

WTF?!

So... it looks like performances will not be the best this year. But what about the awards!?!?

The Awards

I'll just be doing some highlights from the ceremony because I couldn't care less about most of these categories.

Best Music Video

The Clear Winner: "Chandelier" by Sia

One of the most iconic music videos of last year and the only one on the list that will have you wanting to see it again. Hopefully Sia can be the Adele of this year since she probably is the most Grammy worthy artist of 2014.

Best Dance Recording

NSOTP Winner: "Rather Be" by Clean Bandit feat. Jess Glynne

Who will probably win: "Rather Be" by Clean Bandit feat. Jess Glynne

If nothing else, the Grammys should be a time to celebrate innovation and reinvention of music. No other artist has accomplished this as well as Clean Bandit on "Rather Be." Merging classical acoustics with house beats can only be considered ingenious.

Best Pop Solo Performance

NSOTP Winner: "Chandelier" by Sia

Who will probably win: "Stay With Me" by Sam Smith

Since the Adele comparisons early in his career, it looks like Sam Smith will probably clear most of his categories. HOWEVER, I still refuse to consider him a popstar, and certainly not the gay popstar we have all been waiting for. Sia's powerhouse vocal acrobatics deserve this one and I will take on anyone who disagrees.

Best Pop Duo/Group Performance

NSOTP Winner: "Fancy" by Iggy Azalea & Charli XCX

Who will probably win: "Dark Horse" by Katy Perry & Juicy J

With Katy's performance at the Super Bowl and the Grammys, it's hard to think the Academy won't want to give her something as a thank you. But you and I both know that "Fancy" deserved this as a sign of female pop power and Charli XCX's first time being recognized as the amazing pop entity she was always destined to be.

Best Pop Vocal Album

NSOTP Winner: Prism by Katy Perry

Who will probably win: My Everything by Ariana Grande

I'm still surprised Taylor Swift wasn't nominated for this, as she clearly had the biggest album of the past year. Nonetheless, Katy Perry's album had a lot to offer sonically despite many of the missteps. If Ariana were to win, I wouldn't be fuming but I'm still expecting something gravity-bending from the third album Ari.

Best New Artist

NSOTP Winner: Iggy Azalea or HAIM

Who will probably win: Sam Smith

Regardless of whatever most of the Twitterverse is saying, I actually enjoy most of Iggy's output. It is mainstream rap but I think we can all agree that some of y'all are getting a little too crazy about an artist trying to pave a career. And with four top 20 hits to her name, it makes sense she would be the biggest new artist of 2014. Nonetheless, the Cali rock trio made up of the HAIM sisters also deserve some recognition considering their debut album was very good indeed.

Song Of The Year

NSOTP Winner: "Chandelier" by Sia

Who will probably win: "All About That Bass" by Meghan Trainor

It's safe to say that Meghan Trainor is definitely about that fucking bass. The biggest surprise hit of the year certainly deserves some recognition but I think it is clear that the amount of thought going into Chandelier by songwriter-extroardinaire Sia is leaps and bounds above Meghan's. Chandelier was 2014, a giant swinging mess but everyone got through it with sheer determination and that is why Sia should be applauded.

Album Of The Year

NSOTP Winner: Beyoncé by Beyoncé

Who Will Probably Win: In The Lonely Hour by Sam Smith

Beyoncé's visual album had to be the absolute highlight of 2013. The music may not have been up to my usual tastes but it was a forward-thinking zeitgeist-producing collection of jams whose visuals only immersed you deeper in the song's productions. And I don't see Sam Smith riding no #Surfboarts on his blubbathon of an album, do you?

Record Of The Year

NSOTP Winner: "Fancy" by Iggy Azalea & Charli XCX

Who Will Probably Win: "Stay With Me" by Sam Smith

Yeah, I do think "Fancy" was the best record of the year. It established Iggy Azalea as the superstar she is today. It brought Charli XCX to the forefront as the premiere songwriting hit maker of 2014. It ushered in a new trend of not-shit music videos with a lot of retro vibes. It was the biggest song of the summer and of the year. While "Chandelier" and "Shake It Off" were very amazing indeed, they did not make make the world a better place. "Stay With Me" might have made it worse. So, sorry haterz but "Fancy" had better win this one or the 2015 Grammys will have been the worst ceremony in recent history.

Thoughts On BBC's The Sound Of… Poll's Past

live4ever.uk.com

Much like the Critics' Choice Awards at the BRITS, another indicator of what to listen for next year is the BBC's own The Sound Of… Poll! This time around the nominees can come from anywhere in the world and represent some of the most buzzed about artists of the past year or so. Blogs have to nominate 5 acts they think will become the next big thing for the upcoming year and a long list of 15 will be posted in December, with the top 5 revealed over the course of the first week of January.

Somehow, Nonstop On Top Pop was not notified of the deadline for submissions so the pop elements in the list for 2015 may be on the low side. But don't worry! The Sound Of Poll is one of the more reliable lists that focuses more on artistry rather than international success and even introduces some talent that I have never heard of but quickly gain an unhealthy obsession with. Starting in 2003, the Poll has been pretty accurate with winners including 50 Cent, Keane, Corinne Bailey Rae, and MIKA! So let's have a look at some of the past years' winners!

2008: Adele

Was This a Correct Decision: YES!

Adele might as well copyright the phrase "world conquerer" because even back in 2007, everyone knew she would be everywhere. From "Chasing Pavements" to "Hometown Glory," Adele constantly strikes at the heart of what makes human relationships special and her reflections can really teach humanity a little something about love. 

Could Another Nominee Have Been A Winner: YES!

There could have been 2 in fact! Inferior soul singer Duffy was tipped as much more talented than our Adele and indeed, she had gained international success much faster than Adele. However, considering there was only 1 good song on her second album before she disappeared, it looks like Duffy was too fluff for the prize. The other winner has done a bit better for themselves: The Ting Tings! One of the most exciting bands of the 2000's, The Tings also managed US success before Adele and songs like "Shut Up And Let Me Go" were great anarchist anthems. This year, their 2nd album has at least 2 great songs so... still beating Duffy!

2009: Little Boots

Was This A Correct Decision: YES!

Probably more than any other popstar, Little Boots was responsible for making me fall in love with music. Her debut album Hands was spectacular from start to finish, "New In Town" was my favorite song in high school, and I trust no one else with making dark disco better than Ms. Boots. She may not have been the earth shattering popstar that the BBC may have wanted but any pop fan of the past five years must own a Little Boots album.

Could Another Nominee Have Been A Winner: DEAR GOD YAAAAAAASSSSSSSS!

The nominees for 2009 were among the best assembled group of popstars ever created. Here's a quick rundown:

 Frankmusik: pop producer to the stars and overall amazing person, first album was amazing, second album was amazing, third album was mostly amazing, fourth album had potential to be amazing. Overall, AMAZING!

VV Brown: the comeback queen of 2013 whose album Samson & Delilah is one of the most artistic and immense sounding collections of the decade.

Florence & The Machine: The second best redhead in pop and Lungs was so innovative Steve Jobs should have asked her for some tips on Apple products.

Empire Of The Sun: Australian duo making disco guitar music and Elton John is a big fan. Also, "Walking On A Dream" is brilliant.

La Roux: BULLLLLLLLEEEEEET-PROOF. Enough said.

Lady Gaga: Gaga came in 6th this year in the poll. That's pretty ridiculous, isn't it?

2010: Ellie Goulding

Was This The Correct Decision: YES!

Oh, how much I adore Ellie Goulding. The voice of an angel with the talent of musicians that don't seem to pop up anymore. Ellie embodies the purest form of a popstar, a muse for producers that is never afraid to take on a challenge. Most importantly, her signature vox makes you recognize her before anything else. If popstars in America were half as good as Goulding, maybe the world would take us a little more seriously.

Could Another Nominee Have Been A Winner: Just One

Though this year included some almost-good artists like Hurts, Everything Everything, and Two Door Cinema Club (actually, they were pretty good), there was only one other true competitor to Ellie: Marina & The Diamonds. Marina represented another standard for what a popstar should be: an avant-garde sound, a strong sensibility of what melodies make pop music great, and a charismatic person that can charm anyone into liking her music. If Marina had won, it would have been well-deserved but Ellie had "Starry Eyed" at the time, so that clearly put her that extra bit above the Diamonds. Since winning, the two appear to have album battles with each campaign. I wonder who will win in 2015?

2011: Jessie J

Was This The Correct Decision: By A Longshot

The critics and blogs in 2010 must've gone through an indie phase because there was not a lot of promise for the Sound of 2011. This made permanent belter Jessie J seem like gold next a pile of shit. At the time, Jessie provided a nice mix of true popstar persona with the vocal chops of legends like Adele and Leona Lewis. And honestly, her first album was pretty great in a "I have no idea what I'm doing but it sounds catchy enough" kind of way. Oh well, if she can pop out one catchy song a year that would be nice.

Could Another Nominee Have Been A Winner: NO!

The other nominees included indietronica artists (James Blake, Jai Paul), nearly tolerable indie-pop bands (The Naked and Famous, Anna Calvi), and rock bands (one of whom was appropriately named Yuck). The only other nominee to do rather well in 2011 was Nero, whose rise was basically caused by everybody wanting dub step. But can their talent stand the test time? I guess we'll see in 2015.

2012: Michael Kiwanuka

Was This The Correct Decision: Absolutely Not!

One of the best things about the Sound of… Poll is that it judges more on artistry and creativity rather than just the dollar bills the singer would make for labels. HOWEVER, Michael Kiwanuka's brand of folk-soul was not what we needed in 2012.

Could Another Nominee Have Been A Winner: YES x5

While the obvious choice for a winner would have been Frank Ocean (and he was lovely at the time) or Skrillex (not so much), the more unknown artists really had it this time around. Here they are in the order of how satisfied I would be if they won:

5. Ren Harvieu: Somehow Ren made an album that has guitars, violins, and a male choir that perfectly wraps up soul, country, and jazz with a nice little pop bow. Still a classic to this day.

4. Stooshe: There's nothing better than a girl band. That's a pop fact. Luckily, Stooshe were a girl band that cursed and joked like teenagers! If they had won, their album would have been better than it actually was but "Fuck Me" and "Slip" are still amazing.

3. Niki & The Dove: There's nothing better than Scandinavian pop sung by a female. That's a pop fact. Luckily, Niki & The Dove were a duo made of a male producer and a singer, so basically Swedish La Roux! Bringing some Robyn realness to 2012 would have been lovely and "DJ, Ease My Mind" may have been the best video of that year.

2. Lianne La Havas: It's hard to describe why I love Lianne other than her voice should be in the dictionary next to "gorgeous." The beauty in her artistry lies in the simplicity behind a lot of her songs. "No Room For Doubt" speaks volumes with just two guitars and two singers. And winning the poll might have made her the international superstar she deserves to be.

1. Azealia Banks: COME ON! "212" was nearly the best song of 2011 and if Broke With Expensive Taste was released in 2012, it probably would have been album of the year. Maybe getting third in the poll was what caused those anger management issues? Shame on you, BBC!

2013: HAIM

Was This The Correct Decision: In A Sense, Yes

Haim brought that retro, cool, California rock sense to a pop world that needed a little shaking up. Were they popular? Yes. Was their music good? They officially had the 11th best album of 2013, so yes. Could you call them popstars? Maybe not, but you wouldn't call Paris Hilton one until you hear "Stars Are Blind." So overall, congrats girls!

Could Another Nominee Have Been A Winner: A 50% Yes

This year was split into bands vs. popstars. While Palma Violets, Savages, Kodaline, and Peace had their charms, we are still in an age when people need to learn when guitars are good. Tom Odell and The Weeknd probably would have made the most money but artistry wasn't exactly on the top of their priorities for their albums. This brings us to proper popstar territory. Arlissa was pretty much unknown but her unique voice really could have taken her somewhere. Angel Haze could have made a really powerful rap album if people weren't such assholes to female emcees. CHVRCHES made a wonderful electro album last year but nobody really noticed, even though "The Mother We Share" was amazing.  A*M*E still has the potential to make one of the best pop albums of the decades and "City Lights" can be listened to on repeat without getting bored for at least 14 hours. And Alunageorge, oh god, how much I adore Alunageorge! Just listen to the above song and think about how amazing the world would be if this was number one in at least 50 countries?

2014: Sam Smith

Was This The Correct Decision: Ugh, I Suppose

I may be the only person alive who hasn't jumped on the Sam Smith cryathon but his dance music was much more interesting. Sorry! However, he has been the biggest name in music of the past year so I suppose he WAS the Sound of 2014. Maybe make a disco album next Mr. Smith? I know some people who would help make it pretty great!

Could Another Nominee Have Been A Winner: Yes x5

Once again, there were 5 pretty good alternatives to Sam Smith that would have probably made 2014 more interesting and less depressing. Chance The Rapper and FKA twigs may have been fan favorites but neither really captured the excitement that these 5 captured. They do receive honorable mentions for making something different and not making me cry.

5. Banks: Jillian Banks pretty much put avant-garde R&B on the map and her siren-like voice made for the perfect background for anyone's nightly escapades. And in 2014, Banks even put a pop twist on her signature sound, making Goddess even more amazing than anticipated!

4. MNEK: One of the greatest writers in pop history is MNEK. Responsible for some of the best songs of the century, MNEK has been a pop superstar in the making for quite some time. So far, he has a 50% success rate for making killer music solo but hopefully his debut album brings all of the amazingness he pulls out of the hat for The Saturdays and Florrie.

3. Ella Eyre: Ella has a number one under her belt and her mix of R&B and pop is probably the catchiest form of anyone else in the industry at the moment. Also, "Comeback" is likely to be in the top 10 songs of 2014. So yeah, she might have deserved to win.

2. Chlöe Howl: NSOTPop favorite and overall funny, young up and comer that could take over pop if someone would just help her release her album!

1. Say Lou Lou: The best twins in music and their debut album Lucid Dreaming is already the best of 2015, even if it has just the songs they have released so far.

So there you have it. The BBC Poll is one of my favorites and stay tuned for my coverage of the 2015 list and who will likely be THE SOUND OF 2015 based on NSOTP criteria*

*This pretty much means make amazing pop music

Thoughts On The BRITS Critics' Choice

capitalfm.com

December is nearly upon us and that means we have an entire new year to get excited for. In order to optimize your musical experience for the new year, a bunch of music critics decide to tell you what artists are likely to become "successful" and force you to listen to them. One of the most credible sources of this type of judgment comes from the BRIT Awards. Essentially the British version of the American Music Awards, the BRITs are amazing and horrible at the same time. Performances are amazing, winners are horrible. So the perfect award show.

One of the awards given at the awards every year is the Critics' Choice award, which as you can tell, is given to the critics' favorite British act of the upcoming year. Starting in 2008, it started out as an intelligent discussion on who has the most talent to carry on the British tradition of great music, where any new act releasing their debut album the following year was eligible. Now, it has become the self-fulfilling prophecy to give the act of choice a guaranteed hit in England. Granted, most of the time they make good music so all's well that end's well. Let's take a look back at the past winners as well as this year's nominees and my take on who should win (I'VE BECOME ONE OF THEM!)

Winner For 2008: ADELE

This was a correct decision. Adele was a good choice for the first winner and she has taken this award in stride and been the premiere artist for sad blubbathons for the past 5 years. The other nominees Duffy (remember her?) and Foals have done all right for themselves but if anything, Adele's new album will probably slay 2015 and teach all future winners how to take over the world.

Winner For 2009: Florence + The Machine

For most people, 2009 was a golden age for music. The reinvigoration of new wave and disco-tinged pop thanks to artists like Ladyhawke, La Roux, Goldfrapp, and Lady Gaga made it one of the most magical times to be alive. Nonetheless, the award went to Florence and Her Machine, which in hindsight was probably the correct decision. Her debut album was the perfect antithesis to all the electro production going on but kept in line with strong and creative females taking over music. And if you weren't wailing to "Dog Days Are Over" that year, you and I can't be friends. Once again, the new album may be the best alternative album of 2015.

Winner For 2010: Ellie Goulding

This was a tough one. The three nominees this year were Ellie Goulding, Marina & The Diamonds, and Delphic. Clearly, everyone was rooting for Delphic (HAHAHAHA). But seriously, how can you choose between Ellie and Marina? It was the Sophie's Choice of music that year. Unfortunately it came down to who could sell more records and Ellie Goulding definitely had a more mainstream sound. If Marina had recorded "Starry Eyed," I don't know how they would have picked. Oh well, they both had #1 albums and since both are gearing up for round 3 of "Whose album is better this year in 2015?" we'll see whether Ellie can hold onto that title.

Winner For 2011: Jessie J

This was the first year where things started to get a little shady. At the time, Jessie J was probably the most exciting thing in pop music, especially when her competition was The Vaccines and James Blake (now I'm throwing shade) and her debut album did indeed go to number 1. And considering "Price Tag" may have been circulating, it seemed that Jessie probably had a unique point of view and a strong female voice to usher in 2011. Well, 3 albums later and now we can see that at best, Jessie J is a C list popstar that will most likely appear on the occasional hit every now and then but isn't capable of a "Bad Romance" or "I Love It" anytime soon (I still love you Jessie!).

Winner For 2012: Emeli Sandé

Emeli Sandé brought back some credibility to this award as her debut album remains a work of art. However, she did have some luck in terms of competition, with Michael Kiwanuka (who?) and Maverick Sabre (what?) making leaving a minimal impression. Also, the fact that she performed at every event in all of England, including the goddamn Olympics, seemed a little desperate. Nonetheless, Sandé has the talent, charisma, and songs to be a little more aloof and relaxed her second time around and I couldn't be more excited about the new material.

Winner For 2013: Tom Odell

It's a boy! Tom Odell seemed like a refreshing change to the constant barrage of female vocalists that seemed to conquer the charts last year. But his win proved two things about music: 1) you can never go wrong with a female vocalist 2) sad looking boys singing sad piano songs isn't as romantic and ethereal as it sounds. While Tom's first album did reach number 1, it was a rather dull affair. Plus, the runner ups included Laura Mvula, who seemed like a worthy alternative for soul music, and Alunageorge, for those who love pop music and therefore, DESERVED TO FUCKING WIN THAT YEAR. Oh well, Tom had a flash of genius with "Can't Pretend" so we'll see whether he can become the male Sandé or not.

Winner For 2014: Sam Smith

This was a better choice for a man. Sam Smith had been around for a while making some all right dance music before revealing that he likes singing sad songs too. At least he had the sense to add a gospel choir and his debut album, which seals the awards 100% number one rate, is the closest to a male Adele we've ever had. HOWEVER, as a pop blog, I have to interject and say both the runner ups would have made amazing winners. Chlöe Howl has been a favorite of NSOTP for a while and her debut album could be so astronomically amazing no one will know what planet they're on. The other, Ella Eyre, has the best hair in music at the moment and her newest single "Comeback" is in the running for song of the year. So while it was a tough choice, I suppose Sam was worthy for 2014.

Who Should Win The Award For 2014?

The nominees were announced on Thanksgiving and Surprise! They're all boys! I'm gonna give a quick introduction and let you know who I think should win. But as we all know, the public determine success so let me know who you think should win the award, even if they weren't nominated!

George The Poet

A "spoken word" artist I had never heard of before this nomination. I was hoping for a more positive Azealia Banks turn (the song is called "1,2,1,2" what else was I supposed to expect?) with George The Poet but from his one single it looks like he just likes repeating the same line over a vaguely danceable beat. I don't think he'll fare well considering the other two acts have a little more substance to them, sorry.

James Bay

A sad looking boy singing sad songs. Nothing that new except that James Bay plays a guitar. It's actually rather pleasant once the beat gets going, something to consider on all songs James. If the pattern is 5 female power vocalists then 5 sad boys, James will probably be the winner but let's not get too depressed because the next act is properly AMAZING

Years & Years

Pop band Years & Years popped up earlier this year with their single "Real" that seemed to have every blog buzzing, but never really made an impact on me. Since then, they have released an eclectic set of singles including electroreggae trop-pop single "Take Shelter", a cover of a Blu Cantrell song, and lead singer Olly Alexander's (he guest starred on "Skins" !!!!) vocals on this pretty amazing dance single by The Magician. Having notched up one top 10 hit already, the band just released their next single "Desire." Not only their best single to date, it looks to be a proper solo hit for the band reaching the top 20 on UK iTunes. While it's hard to picture what their debut will sound like, they are one of the most exciting things in pop nowadays and if I had my way, they would surely be the winners of the BRIT award next year. Good luck guys! 

Track by Track Flashback: "Settle" by Disclosure

The first in my series of Track by Track Flashbacks is Disclosure's debut album Settle. A collection of schizophrenic dance hits that helped bring about the 90's house revival of 2014, Disclosure broke out as the premiere electronic producers of 2013. Now working with the likes of Madonna and getting a sleeper US hit with Latch, it looks like Disclosure are on a nonstop takeover of the world. So let's look at each track on the album to see why they have been so successful.

1. When A Fire Starts To Burn

As most good albums have displayed, an intro that leads into the first real song can be a useful tool to display what to expect on the album. With this in mind, Disclosure somehow encapsulated their signature sound in "When A Fire Starts To Burn" while also sampling a motivational speech. It's that kind of forward thinking that makes the Lawrence brothers pioneers. Though a little repetitive, they clearly get their message across and the entire time I keep thinking how this would have been a great song for Azealia Banks to rap over (lost opportunity for Azealia).

2. Latch (feat. Sam Smith)

This is Disclosure and Sam Smith's first breakout hit in every country, really. It came out last year and somehow has just recently cracked the Billboard Top Ten. In all honestly, I don't get how. Sure, it's something different from everything else on the radio, but it's not really catchy, it's not really danceable, and it's not really pop. However, it clearly resonates with the crowd and Sam Smith does have the pipes to back it up.

3. F for You

These boys sing too! This is the first track that shows just how multi-talented Disclosure can be and was also a highlight during their concerts. It's super catchy, has weird dream-like breakdowns, and that bass is the coolest thing you heard in 2013. And if that's not enough, Mary J. Blige has come into the picture and adequately heightened the diva factor.

4. White Noise (feat. AlunaGeorge)

Now here is where things got good. I wasn't particularly impressed with Latch, which made second single White Noise take me by surprise big time. First off, that electronic melody that reincarnates throughout the song is supremely hummable and it's amazing the ways the brothers shapeshift the sound to match the different parts of the song. But really, AlunaGeorge shines with her angelic vocals that find a nice home on electronic songs like this. Hopefully, this song follows its UK success and brings Disclosure they're second hit in the US because it really is amazing.

5. Defeated No More (feat. Ed Macfarlane)

This is a real testament to Disclosure's chameleon-like production. While distinctly a Disclosure song, this chilled-out hypnotizing song wouldn't have sounded out of place on Friendly Fires last album, which Ed Macfarlane is the lead singer of. That's probably why Madonna wants to work with them so bad.

6. Stimulation

Unfortunately, the fun starts to get a little bit annoying at this point. Like some of their other solo work, "Stimulation" just goes on and on repeating the same riff over and over. It's interesting for about a minute and a half but really, five and a half minutes? It's too much, sorry.

7. Voices (feat. Sasha Keable)

Disclosure took it upon themselves to introduce many new talents to the music scene, and Sasha Keable was one of them. A great dance song with a great vocal can never go wrong, and really set up Keable for future success. Back to bangers, this was the last single to be released from the album and is probably the most accessible. Furthermore, it shows just how remixable their tracks are, as this Le Youth remix can easily tell you. 

8 & 9. Second Chance & Grab Her!

Suffering from the same repetition as "Stimulation", these two tracks are just dance filler. At least "Second Chance" is short and "Grab Her!" managed to get nominated for a VMA. 

10. You & Me (feat. Eliza Doolittle)

Somehow, Disclosure made a song featuring one of the worst pop singers in England amazing. Eliza Doolittle should really thank the Lawrences for introducing her to dance music. Paraphrasing a review I read somewhere, the song is extremely scattered but the chaos is so organized and interesting. With Eliza giving us a surprising heartfelt vocal (that bridge of "Can you stache my heart, somewhere in the dark, keep it safe" was a real moment of 2013), this should be a new direction for her and dubstep producer Flume keeps the  it going with this insane remix for all you strobers. (Side Note: You & Me is probably my favorite song off the album.)

11. January (feat. Jamie Woon)

The indieness of this song is ridiculously high, but I suppose that's a good thing. Singer-songwriter Jamie Woon brings some edge to "Janurary" and, although a little forgettable, the track continues the flow that Settle should be known for.

12. Confess To Me (feat. Jessie Ware)

This was definitely the most anticipated collab on the album and the fan favorite amongst the Disclofans. Jessie Ware is a singer-songwriter extraordinaire whose own start was helped by this Disclosure remix of her fantastic single "Running." Based on how insanely good that was, I expected a lot from "Confess To Me" and while it does display Miss Ware's heavenly voice, that chorus really kills the song for me. Jessie's voice really should not have been messed with, but all in the name of artistry I suppose.

13. Help Me Lose My Mind (feat. London Grammar)

The only ballad on the album also happens to be ridiculously good. A big hypnotic song, Help Me Lose My Mind is a rare song that proves that ballads from Disclosure are just as good as bangers. It also brought art rock group London Grammar to the forefront, with lead singer Hannah Reid haunting vocal sealing the deal on this song as well as the album.

Settle was a great album from an extremely talented duo of producers. The best thing about the album is that Disclosure's sound was something we never expected, but we realized we needed. They managed to straddle the line of mainstream, indie, and EDM with expert finesse and never strained from their unique sound, despite its repetition at times. Overall, good job Lawrences for creating the best dance album of 2013.